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Diana left no question unanswered. She admitted to multiple suicide attempts. (“She was suffering dreadfully from morning sickness, she was haunted by Camilla Parker Bowles, and she was desperately trying to accommodate herself to her new position and new family,” Morton wrote. “Standing on top of the wooden staircase, she hurled herself to the ground, landing in a heap at the bottom.”) She opened up about her eating disorder. (“Diana would make herself sick four, sometimes five times a day.”) So too did she speak openly about Charles’s relationship with Parker Bowles. (“Diana had accidentally overheard her husband talking on a mobile telephone while having a bath. She was deeply upset when she heard him say, ‘Whatever happens, I will always love you.’”)
As the show suggests, paranoia gripped them both: Someone broke into Morton’s apartment, although nothing was stolen besides a camera. Diana thought her apartment might be bugged and ordered sweeps. (Nothing was ever found.) But even when, by January 1992, Buckingham Palace figured out that she was, in some way, cooperating with Morton, she continued. “She knew that there was a cataclysm in the offing but had no doubts that she would survive it,” Morton recalls. In June 1992, The Sunday Times ran the first excerpt from the book with the headline: “Diana driven to five suicide bids by ‘uncaring Charles.’” The reaction was explosive. Not only because of the damning claims contained in the book—at that time, much of the public still believed in the Charles-Di fairy tale—but because it was clear that Diana herself had sanctioned it. “Sensational revelations about the Royal Family are nothing new, but what distinguishes the latest story, apart from the unusual hype surrounding it that Princess Diana’s marriage made her so unhappy that she tried to kill herself, is that it seems to bear her tacit imprimatur,” wrote The Observer at the time. (One of the tell-tale signs of her involvement? The book’s cover of a black-and-white portrait by Patrick Demarchelier. Only the princess owned the copyright of that series—which she had previously only shared with British Vogue.) Politicians from both parties decried the book’s supposed ethical violations. Labour MP Clare Short called out the “outrageous and gross misbehavior” of the Sunday Times’s decision to publish the excerpts, while Conservative MP Patrick Cormack spoke in barely-coded terms against the paper’s owner, Rupert Murdoch: “What we are seeing is the attempted destruction by the lackeys of a sovereign republican press tycoon of an institution that is the envy of most republics and the character assassination of two people who have given selfless service which those who are motivated by greed will never understand.”
She then began thinking bigger. “Like a prisoner condemned for a crime she did not commit, Diana had a crying need to tell the world the truth about her life, the distress she felt, and the ambitions she nurtured. Her sense of injustice was profound,” Morton wrote years later. “Quite simply, she wanted the liberty to speak her mind, the opportunity to tell people the whole story of her life and to let them judge accordingly.” A book by a well-respected writer was a way she could do just that.A major problem? How to conduct the interviews. Morton was a known and—at six feet four with glasses—a conspicuous reporter. Kensington Palace and Prince Charles would no doubt discover, and attempt to squash, the project quickly. So Colthurst agreed to interview Diana with questions written by Morton, record her answers via tape, and then deliver them back to the author.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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