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“‘Unholy’ has been such a blessing and kind of a freaky accident of a song that just blew up,” Petras says. “It’s my first number one and Sam’s first number one, and it’s just really awesome when people like your song, but when you hear it at, like, McDonald’s—there’s nothing better.” On the heels of that success comes Petras’ latest single, “If Jesus Was a Rockstar,” produced by legendary hitmaker Max Martin (“…Baby One More Time,” “Blank Space”). “There’s a narrative [thread] from “Unholy” to “If Jesus Was a Rock Star,” Petras explains, “but the new song is about how if religion accepted everyone, then maybe I would’ve been a religious person. I just never had the chance.” While the two tracks form a cohesive statement, they mark somewhat of a departure for the pop artist, both subject-matter-wise and sonically. “It’s the first time I’m not being a caricature version of myself, like in Slut Pop or Turn Off the Light,” she says of the guitar-driven single. “I’m just sharing my real opinion and how I feel in the world as a person.” Petras cites frustrations over recent anti-abortion laws and trans discrimination as the inspiration for this creative divergence. “I didn’t want to escape in my song and sing about parties and fashion and glam,” she says. “I wanted to write a song that is meaningful for me as a person in this time.” Below, she shares the music that has held a similar place in her heart from childhood to today.
“‘Unholy’ has been such a blessing and kind of a freaky accident of a song that just blew up,” Petras says. “It’s my first number one and Sam’s first number one, and it’s just really awesome when people like your song, but when you hear it at, like, McDonald’s—there’s nothing better.” On the heels of that success comes Petras’ latest single, “If Jesus Was a Rockstar,” produced by legendary hitmaker Max Martin (“…Baby One More Time,” “Blank Space”). “There’s a narrative [thread] from “Unholy” to “If Jesus Was a Rock Star,” Petras explains, “but the new song is about how if religion accepted everyone, then maybe I would’ve been a religious person. I just never had the chance.” While the two tracks form a cohesive statement, they mark somewhat of a departure for the pop artist, both subject-matter-wise and sonically. “It’s the first time I’m not being a caricature version of myself, like in Slut Pop or Turn Off the Light,” she says of the guitar-driven single. “I’m just sharing my real opinion and how I feel in the world as a person.” Petras cites frustrations over recent anti-abortion laws and trans discrimination as the inspiration for this creative divergence. “I didn’t want to escape in my song and sing about parties and fashion and glam,” she says. “I wanted to write a song that is meaningful for me as a person in this time.” Below, she shares the music that has held a similar place in her heart from childhood to today.
“I’ve recently become obsessed again with Kylie Minogue’s ‘Come Into My World,’ and, obviously, ‘Here You Come Again’ by Dolly Parton.” Shygirl and Ethel Cain—I’m a big fan of both. ‘BB’ by Shygirl—that song is an absolute hit. And ‘American Teenager’ by Ethel Cain. So good! If The White Lotus resorts hope to survive another tourist season, they really must do something about all these murders. In the first season of Mike White’s hit HBO series, Maui hotel manager Armond meets the wrong end of a pineapple knife after one of his guests catches the staffer defecating in his suitcase. In season 2, Italy doesn’t fair much better than Maui: The bodies are positively piling up as manager Valentina (Sabrina Impacciatore) does frantic damage control on the coast of her Sicilian resort. We learn from fellow employee Rocco (Federico Ferrante) that at least “a few” guests have been murdered this go-’round, their corpses flotsam for the Ionian Sea—much to the horror of guest Daphne Sullivan (Meghann Fahy), who discovers one such body as she enjoys a last-minute pre-departure swim.
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