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Jones’s library here and in London—where he lives in a brutalist house of punctured concrete, steel mesh, and glass with an indoor lap pool, a striking modernist rug designed by Francis Bacon (and hung by Jones as a tapestry), and a further embarrassment of Bloomsburiana—is remarkable. There are, of course, the first editions, sodden with provenance and including a copy of Orlando—inscribed from Virginia to Vita, no less. (Another book, gifted from Virginia to her inamorata, reveals a streak of unsuspected humor in the eminently serious writer’s character. It bears a note from the author: “in my opinion the best novel I have ever written.” The book’s pages, alas, are all blank.) Jones’s work for Fendi after that first Bloomsbury-infused couture collection (and a pragmatic ready-to-wear debut that put the customer first) referenced the friendship of Lagerfeld and illustrator Antonio Lopez—inspired by a brushstroke Fendi logo by Lopez that Jones unearthed in the Fendi archives in the subterranean depths of Rome’s iconic Palazzo della Civiltà Italiana. (Completed in war-torn 1943 as the centerpiece of a new area of the city shaped by Mussolini and conceived as the symbol of a new Roman empire, the six-story structure is encased in a shell of travertine arches, a de Chirico fantasy with heroic neoclassical statues that has been the brand’s Roman heart since 2015.)
The interiors were painted chalky white—a scheme that Jones decided to keep. “I liked the fact that it was light and peaceful and calm,” he explains. He also added a decidedly unrural snowy carpet underfoot, and kept the arrangements of furniture in the public and private rooms reductive. “I always sleep better in a minimal room,” notes Jones, ever the perfectionist. “I can’t sleep in a mess.” This serene backdrop makes the myriad objects that Jones has collected sing even louder—and what a collection it is. “Between 1910 to 1930 there was a lot going on: Things were changing radically, and fast—especially in painting, which I really am interested in,” Jones says. In the dining room alone there is a Lilypond screen painted by Duncan Grant on the eve of the First World War, like kinetic camouflage; a desk with a similar treatment to its surface; and an Omega Workshops chair blooming with painted poppies. Over the doughty stone chimneypiece, meanwhile, hangs a portrait by Vanessa Bell, while in Jones’s convivial kitchen is a plump teapot that the same artist painted for her sister, Virginia Woolf, who lived with her husband, Leonard, in the nearby village of Rodmell.
“With Kim it’s about hard work, but also a shared sense of humor—there’s a subtle irony that is always present at Fendi,” notes Delettrez. While he was working intensively on reshaping Fendi—and amid his ongoing work for Dior—Jones was looking for a country house in bucolic Sussex that would provide a weekend respite from his relentless work schedule, ultimately finding the perfect place online: a beautiful 18th-century brick-and-flint-stone rectory out of an E. M. Forster novel, replete with Victorian additions, wreathed in wisteria, and with a croquet lawn and blowsy herbaceous borders in the back, and fast by the storied villages once peopled by the Bloomsbury Group. “It was perfect,” Jones says. “There’s enough land to have privacy for the dogs [Jones has four—Dexter, Lulu, Lola, and Cookie], and then it’s got a secondary house.”
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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