This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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Born in 1934 in the Basque town of Pasajes, Spain, Rabanne’s childhood was marked by the Spanish Civil War. His father, a member of the Republican army, was executed by Franco’s fascist regime. When he was three, his mother, who worked as the main tailor for Cristóbal Balenciaga at his first tailoring workshop in Spain, moved the family to Paris, hiding across the Pyrenees to France. Rabanne studied architecture in Paris at the École des Beaux Arts for 12 years, fascinated by industrial design and plastics. It was from there that he began designing jewelry, buttons, and other ideas that he sold to Balenciaga, Elsa Schiaparelli and Hubert de Givenchy. Irving Penn At the age of 32 in 1966, Rabanne made her debut on the French fashion scene, presenting a collection titled “The Manifesto: 12 Unwearable Dresses in Contemporary Materials.” The collection has proven true to its name with suits made of rectangular and square aluminum panels connected by metal rings, while others are handcrafted from plastic and paper. The show shocked and amazed the fashion industry. Breaking convention, Rabanne turned on the music as white and black models strutted his catwalk. “The first time I went to see one of his shows, I remember saying, ‘What’s going on here? I do not believe that! It’s so beautiful and so different! New gladiator outfits, armor sets, warriors, men!” Fashion editor Polly Mellen told The Times in 2002.
Paco Rabanne, the decades-long master of industrial fashion, has passed away. He was 88 years old. The news was confirmed by Puig, who has been the designer’s partner since the beginning of his career. “I am deeply saddened by the passing of Mr. Paco Rabanne. The history of Puig and Paco Rabanne begins in the late 1960s with the launch of Calandre,” Puig President and CEO Marc Puig said in a statement. “A major fashion personality, his bold, revolutionary and provocative vision is conveyed through a unique aesthetic. He will remain an important inspiration for the Puig fashion and perfumery groups, who are constantly working together to embody [his] radically modern codes.” Rabanne matured as a couturier in the 1960s, creating futuristic clothes out of wrought metal, paper and plastic. As a surrealist whose space-age designs and world doomsday theories were unorthodox, Rabanne will be remembered alongside Emanuel Ungaro, Yves Saint Laurent and André Courrèges as How to be a skilled artisan has contributed to the modernization of couture. Salvador Dalí once boasted: “In Spain there are only two geniuses: me and Paco Rabanne.” This concept of genius by Rabanne was repeated throughout the 1960s and 1970s with his mods, Joan of Arc-inspired collections, and famous chain miniskirts by Jane Birkin, Brigitte Bardot , Jane Fonda in Barbarella and the 1967 film Casino Royale. The designer also found powerful allies for his unique creations among American tastemakers including Peggy Guggenheim, Diana Vreeland and Eugenia Sheppard. Rabanne told The New York Times in 2002: “It was the Americans who believed in me and ‘made’ me. .” For many, however, it was Rabanne’s ingenuity with postwar industrial materials that made his home so appealing. Fashion critic Angela Taylor wrote in 1966: “A woman going out for the evening in a plastic and metal dress by Paco Rabanne could tuck pliers into her purse along with a comb and lipstick.” plates, rings and pliers so the self-made woman can make her own haute couture at home. Photo by Jack Robinson, Vogue, April 1966
Artist Daniel Lismore said: “Her wit, wit and fashion savvy will be greatly missed. “She was a very funny woman and had an extremely colorful life.” Fashion designer Zandra Rhodes said: “Hilary Alexander is the epitome of incredible enthusiasm and hard work. She never gives up on a story and the research that goes with it. We will never be able to fill the void she has left.” Suzy Menkes said in an Instagram post: “With a strong reaction to anything about ‘fashion’, Hilary has her enthusiasm for young British talent and photographers who will bring those Young models are going to faraway places. Alexander became president emeritus of the Graduate Fashion Foundation in 2019. “Fashion graduates have her hooked,” President Douglas MacLennan said in a statement. “Their innovation and imagination always bring her back. While the fashion lights have sadly gone out, the memory of Hilary’s enthusiasm will continue in the work of the charity and its trustees.
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